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Written by Steve Pineo Category: Weblog
Published on 11 October 2011 Hits: 1151
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Over the last ten years I have been working on being an arranger. It started with “A Perfectly Good Friendship” which was a group of songs I pictured with a horn section and big production. We recorded it in Edmonton and I went up a few days early to make up horn lines with Mike Lent. I was pretty decent at writing a chord chart but was functionally musically illiterate. However I did have some ideas which I hummed to Mike and he wrote down patiently while offering some good editing advice. The results were amazing, with great players like Dave Babcock, P.J. Perry, John McPherson and Bob Tildesley, (as well as Teddy Borowiecki, Mike Lent and Scott Anderson) playing their hearts out and asses off. For the first time, the ideas in my head turned directly into the music I was hearing. I vowed that I would teach myself to be an arranger.

 I bought a computer and some Finale software and set out to teaching myself how to you use both. There were days when I would be at it for eight hours straight before I realized I hadn’t eaten and my trance like condition made the drive to the drive through a bit of an ordeal! I started writing symphonies just because they had the templates for symphony orchestras. It got out of hand. Now I’ve settled that down quite considerably (having two kids helps) but I feel like I’m a pretty good arranger. Like all the other aspects of music, you never stop learning and I realize that I could devote an entire lifetime to try to become a master arranger. Maybe next life.

  In the meantime, I still have some opportunities to use my skills. I write choral arrangements, mostly for a Calgary choir called Revv 52. 

From time to time I appear with a two piece horn section and I always try to come up with new arrangements for my Christmas concert.  

 
Written by Steve Pineo Category: Weblog
Published on 11 October 2011 Hits: 1219
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My new CD is here! It took about two years to put together but I’m very excited about it. We’ve been playing Blue Mondays since spring 2008 and I have written a ton of new songs as well as pulling some old ones off the shelf, sometimes after twenty years! So we decided to put out a live CD which was recorded over the space of four nights. I didn’t quite get the results I was hoping for, mostly because I froze up when the “record” light was on. It’s funny, We recorded the Co-Dependents Live Recording event over the course of three nights and got two CDs worth of top notch stuff, The difference was all my solos with the Co-Dependents were worked out ahead of time and we always did them more or less the same way. Recording a live blues CD is a different animal, much more spontaneous. I tip my hat to those who can pull it off, especially in a three piece band. Anyways, we still got some great stuff and one of the highlights of the new CD is alive track called “Uneasy Rider” For the rest of it, we went into Airwaves Studio and recorded as close to live off the floor as we could. I recorded a rhythm part with the bass and drums and then overdubbed the lead vocal and lead guitar in the same pass to get the “live feel”. This is my first CD which prominently features me guitar, has no guest musicians and is pretty much blues from beginning to end.

  Halfway through the recording process I realized I had too many songs to put on one CD while maintaining the stylistic cohesiveness I was aiming for. That’s why I call this CD “Steve Pineo’s Blue Monday Trio Volume One-Hardwired for the Blues. Volume Two-The Dog and Pony Show will feature my forays into surf guitar, New Orleans R&B, swing and political commentary. In other words, it will be a typical Steve Pineo CD. Hopefully, if you’ve got both volumes, you’ll have a true idea of what goes on on those often magical Monday nights.

 

Quotes About Steve:

Steve's exceptional songwriting may move through many styles but his musical forays always reflect his exceptional musicianship and rich, true voice. A mainstay of Alberta's vibrant 'roots music' scene, he is certain to explode onto the international stage when the word gets out...

-- Kit Johnson-bassist for David Wilcox, Big Sugar, Murray McLauchlan ; hit songwriter.

 

The word “finesse” comes to mind when defining Steve Pineo. He is, all around, the best guitar player I have ever worked with.

-- Billy Cowsill- The Cowsills, The Blue Shadows, The Co-Dependents

 

"STEVE PINEO IS MY FAVORITE CANADIAN MUSICIAN, OTHER THAN MYSELF"

-- AMOS GARRETT 

 

Hello and welcome to stevepineo.com

My name is Steve, let me tell you a little about myself. I was born in Ontario (O.K. Toronto) to Nova Scotian parents and moved to Calgary in 1978. I was taught “Stairway to Heaven” at summer camp when I was nine and got my first guitar at age ten. I wrote my first song when I was eleven (it was terrible). When I was in Junior High I was in a garage band with Whitey Kirst who went on to play with Iggy Pop. We were called “The Tomatoes”. In high school, punk and new wave came to Calgary and my friends stopped talking to me. Soon came the preppy thing, electro-pop and the A.I.D.S scare. What a terrible time to grow up. My heart was in the 60’s and I loved Bob Dylan, the Beatles and the Stones. I discovered B.B. King and then Howlin’ Wolf and then Stevie Ray Vaughn came along, which gave me a glimmer of hope amidst all the crap I was hearing on the radio.

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